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Clase bcn

clasebcn.com
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The character

editorial gallery on white wall

lightagencySuisseIntl-Regular
Colors
10
Typefaces
2
Components
6
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Copy a design guide, CSS variables or tokens into your next project.

The design language

Clase bcn is an editorial gallery on a white wall: a branding agency whose portfolio reads like a museum catalogue. The interface is almost invisible — text, hairline dividers, and full-bleed project imagery do all the work. A single sans-serif (Suisse Int'l) at one weight (400) carries every element, from navigation labels to oversized project titles. Whitespace is generous and structural: project cards span the full viewport with titles and subtitles overlaid directly on photography. The only interactions are text links with arrow indicators; there are no buttons, no fills, no shadows, no decorative UI chrome. Color appears as content — individual project case studies bring their own palettes as background fills — while the chrome stays achromatic and quiet.

Inside this designColorsTypographySpacing & shapeGuidelinesComponentsSurfacesCompositionNotes

Color palette

accent

Terracotta Blush

#efccbe

Project card background — warm content fill, not a UI accent

Verdant

#43d491

Project card background — vivid content fill, not a UI accent

neutral

Paper White

#ffffff

Page canvas, card surface base, text on dark cards

Ink Black

#000000

Primary text, hairline borders, nav labels — the structural anchor of every element

Carbon

#0a0a0a

Secondary text and deep surfaces where pure black reads too harsh

Concrete

#939393

Muted navigation labels, secondary link text, inactive nav state

Ash

#aaaaaa

Tertiary link borders and subdued annotation text

Plaster

#e8e8e8

Subtle surface division, alternating card backgrounds

Sumi

#0a0000

Near-black project card background — reads as deepest neutral

Slate Night

#262a36

Project card background — slightly cool dark, content-driven not UI

Typography

Type scale

Major Second (1.125) · 45px base
heading45px · 400 · 1.11

The quick brown fox jumps

subheading28px · 400 · 1.21

The quick brown fox jumps

caption24px · 400 · 1.17

The quick brown fox jumps

Font samples use locally available fonts and fallbacks.

Aa
Primary typeface

SuisseIntl-Regular

Weights
400
Sizes
24px, 28px, 45px
Line height
1.11, 1.17, 1.21, 1.25, 1.79, 2.01, 2.44

SuisseIntl-Regular — detected in extracted data but not described by AI

Aa
Additional typeface

Suisse Int'l

Weights
400
Line height
1.11, 1.17, 1.21, 1.25, 1.79, 2.01, 2.44
Fallback
Inter, Söhne, Neue Haas Grotesk, Helvetica Now

Single typeface at a single weight carries the entire interface — navigation, body, and display. The refusal to use a bold or italic weight forces hierarchy through size, line-height, and whitespace alone. The variable line-heights (1.11 for tight display stacks, 1.79–2.44 for body) show that this one weight is stretched across very different densities.

Spacing & shape

Spacing

Density
comfortable
Base unit
4px
Section gap
100px
Card padding
20px
Element gap
20px

Border radius

cards0px
images0px
buttons0px

Spacing scale

20px
25px
100px

Guidelines

Do

  • Use Suisse Int'l (or a neo-grotesque substitute like Inter) at weight 400 for every element — no bold, no italic, no second family
  • Let project imagery and project color fills carry all visual variety; keep all UI chrome in #000000 and #ffffff
  • Use 20px padding consistently for all text-block insets (navigation, card text, footer)
  • Separate projects with 100px vertical breathing room — let each card exist in its own visual silence
  • Mark every interaction as a plain text link with a → arrow, never as a filled or outlined button
  • Scale hierarchy through font size and line-height only — 24px for body, 28px for subtitles, 45px for display
  • Keep border-radius at 0 across all elements — corners are sharp, the page is a grid

Don’t

  • Don't introduce buttons, pills, chips, or any filled interactive component — this system has no buttons
  • Don't add shadows, gradients, or border effects to cards or images — surface depth comes from color contrast alone
  • Don't use bold or semibold weights — weight 400 is the only voice; hierarchy is size-only
  • Don't use #43d491, #efccbe, or #262a36 as UI accents — they belong only inside project card backgrounds
  • Don't add a logo mark, wordmark treatment, or branded icon — the word 'Cl' in the nav is the entire identity mark
  • Don't constrain the layout to a max-width container — project cards must be full-bleed
  • Don't add hover animations, transitions, or micro-interactions — the site reads as static, like a printed catalogue

Components

01

Top Navigation Bar

Minimal text-only site header

Transparent background sitting directly on the page canvas. No logo mark, no fill, no border-bottom. Left side: five text labels (Cl, Projects, Studio, Contact, Tips) separated by ~20px gaps, 24px Suisse Int'l, #000000 active and #939393 inactive. Right side: language selector ('English') in the same treatment. No sticky behavior, no shadow, no padding beyond vertical breathing room.

02

Statement Headline

Opening page declaration

A single block of body-length text set at the largest type size (45px), line-height 1.11, color #000000, left-aligned. No separate label, no eyebrow, no CTA below — the statement IS the hero. Occupies the top quarter of the page with generous margin below before the first project card.

03

Full-Bleed Project Card

Portfolio case study entry

Each project spans the full viewport width with zero border-radius. A background fill (project-specific: #43d491, #0a0000, #efccbe, #262a36, or a photograph) covers the card. Overlay text sits in the top-left corner with 20px padding from all edges: project name at 28px line-height 1.21 #000000, subtitle at 24px line-height 1.17 #000000, then a 'See the case →' text link. No hover state, no shadow, no border — the card edge is defined purely by where the next card begins.

04

Photographic Project Card

Image-led portfolio entry

Same structural treatment as the colored Project Card but the background is a full-bleed photograph. Text overlay uses the same 20px padding, 28px title, 24px subtitle, and text link. Typography remains #000000 on light imagery; white or near-black text on dark imagery. No gradient overlays or scrims — readability is expected from image choice.

05

Text Link with Arrow

The only interactive element in the system

Plain text label followed by a right arrow glyph (→). 24px Suisse Int'l weight 400, color #000000. No underline, no button fill, no border, no padding. Spacing between label and arrow is tight. This is the universal interaction pattern — it replaces every conventional button across the site.

06

Footer

Minimal page closer

Same 20px horizontal padding as project cards. Contains text links and copyright in 24px #000000. No social icons, no newsletter form, no decorative elements. The footer's job is to be quiet and invisible until you scroll there.

Surfaces & elevation

Level 0

Canvas

#ffffff

Default page background and card base for light projects

Level 1

Plaster

#e8e8e8

Subtle off-white for content sections that need tonal contrast

Level 2

Carbon

#0a0a0a

Deepest project card fill — white text sits on top

The system has no shadows. Depth is communicated entirely through color contrast between adjacent surface fills (white canvas → photographic card → colored card → dark card) and through generous vertical whitespace between sections. A 1px black border is the strongest structural device in use, and even that is rare.

Layout & imagery

Layout

Full-bleed layout with no max-width constraint. The page is a vertical stack of full-viewport-width project cards separated by whitespace, preceded by a minimal text-only navigation and a single oversized statement headline. The top nav is a single horizontal row: five left-aligned links, one right-aligned language label. The statement headline sits at the top of the content area, left-aligned, occupying roughly 15% of the page height. Below it, project cards stack vertically — each card fills the viewport width, contains its title/subtitle/link in the top-left corner with 20px inset, and flows directly into the next card with no gap or divider. There are no sidebar, no multi-column grids, no card-of-cards arrangements. The rhythm is: statement → project → project → project → footer, with each project given equal visual weight.

Imagery

Photography is full-bleed and architectural — gallery interiors, product shots on neutral backgrounds, campaign artwork. Images are raw-edged with no rounded corners, no shadows, and no masks. The treatment is documentary, not stylized: subjects (museum spaces, furniture, concert halls) are presented at their natural aspect ratio, cropped only by the viewport. There are no people, no lifestyle scenes, no stock-style compositions. Illustration is absent; the only graphic element is the Kave Home chair sketch, which is hand-drawn line work on white — consistent with the editorial-print language. Icons are absent; navigation is text-only.

Design notes

Agent Guide

## Quick Color Reference - text: #000000 - background: #ffffff - border: #000000 - muted text: #939393 - project card surface: project-specific (no fixed UI accent) - primary action: no distinct CTA color ## Example Component Prompts No distinct primary action color was observed; use the extracted neutral button treatments instead of inventing a filled CTA color. 2. **Full-Bleed Project Card (Photographic)** — 100vw width, viewport-tall, no border-radius. Background is a full-bleed photograph. Top-left inset of 20px contains: project name at 28px line-height 1.21 #000000, subtitle at 24px line-height 1.17 #000000, then a 'See the case →' text link at 24px #000000. No overlay, no scrim, no border. 3. **Full-Bleed Project Card (Color Fill)** — 100vw width, ~60vh tall, no border-radius. Background fill is a single solid color (e.g. #43d491, #efccbe, #262a36, or #0a0000). Same 20px top-left text inset as photographic cards. Text color adjusts: #000000 on light fills, #ffffff on dark fills. 4. **Text Link with Arrow** — 24px Suisse Int'l weight 400, #000000, followed by a → arrow glyph at the same size. No underline, no button background, no border, no padding. The arrow has ~4px space between it and the label text. This is the system's only interaction component. 5. **Top Navigation** — Transparent row on #ffffff, no border-bottom, no background fill. Left group: 'Cl · Projects · Studio · Contact · Tips' at 24px #000000 separated by ~20px gaps, with 'Cl' as the active/brand label. Right group: 'English' at 24px #939393. No logo, no icons, no sticky behavior.

Similar brands

Pentagram

Same editorial-portfolio language — full-bleed project imagery, minimal text-only navigation, no buttons or decorative UI chrome

Manual (manualcreative.com)

Single-weight sans-serif at large display sizes, project cards as full-viewport images with overlaid text, zero interaction chrome

Hasselblad Foundation

Museum-catalogue restraint — generous whitespace, single typeface, photography as the primary content, text links with arrows as the only affordance

Studio Dumbar

Dutch-design agency portfolio discipline: monochrome UI, project case studies as full-bleed images, minimal nav, no decorative elements

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