Void
#000000Page background, full-bleed canvas for all content
Eduardo del Fraile is a portfolio built on radical subtraction: a pure black void where one custom grotesk and white text form the entire interface. The UI recedes almost entirely so that 3D renders float in negative space like objects under museum spotlights. Every typographic decision, every near-absence of color, every flat shadowless surface serves the same purpose — make the canvas feel infinite and weightless, then place one object inside it. Components are text-first and borderless; hierarchy comes from weight shifts in Akzidenz Grotesk alone, not from fills, elevations, or accent colors.
#000000Page background, full-bleed canvas for all content
#ffffffAll text, navigation, footer instructions, and thin UI strokes
#888888Secondary or muted text, de-emphasized labels, inactive hints
21px · 400 · 1.3The quick brown fox jumps
20px · 400 · 1.3The quick brown fox jumps
15px · 400 · 1.3The quick brown fox jumps
14px · 400 · 1.3The quick brown fox jumps
Font samples use locally available fonts and fallbacks.
Sole typeface across navigation, body, footer, and brand mark. The weight 400/700 pairing is the entire hierarchy system — no color, no size jumps, no italic to differentiate roles. At 14–15px the grotesk reads as utilitarian editorial; at 20–21px it becomes signage. Normal tracking preserves the geometric, mechanical feel.
0px0px0px0px0px5px10px15px20px24pxPlain text 'Eduardo del Fraile' in Akzidenz-Grotesk 14–15px, weight 400, color #ffffff, no decoration. Sits flush left at the viewport edge with 0px padding from the canvas.
Akzidenz-Grotesk 14–15px, weight 400, color #ffffff, no underline, no background, no border. ~20px gap between links. Active state indicated only by default-vs-hover color shift; no fill or pill.
Single line-stroke Instagram glyph in #ffffff at the same height as text links (14–15px). No background, no border-radius, no container — the icon is sized to align with the text baseline.
Akzidenz-Grotesk 14px weight 400 #ffffff, two short phrases separated by ~20px gap ('Scroll with the mouse' / 'Scroll with L and R keyboard arrows'). No icons, no buttons — plain instructional copy.
No container at all. 3D renders are placed directly on the #000000 canvas, centered both axes, scaled to occupy the viewport. No padding, no border, no shadow, no background plate — the artwork terminates at its own silhouette.
Same treatment as a text nav link — Akzidenz-Grotesk 14–15px weight 400 #ffffff. Functions as a plain label, not a styled control.
#000000Single-level surface — there is no card or panel layer above the canvas; content sits directly on black
No elevation. No drop shadows, no inner glows, no stacked panels. The only depth cue is the 3D content itself against the flat black void. Surfaces never lift off the page — they are the page.
Full-bleed black canvas, no max-width container, no centered column. Navigation is split: brand wordmark flush-left at the top edge, nav links + social icon flush-right, both vertically aligned to a single ~15px text row. The main body is a horizontal scroll sequence of 3D renders — each render fills the viewport and the user advances by mouse-wheel or L/R arrow keys (per the footer hint). There is no grid, no sidebar, no card stack. Sections are not separated by dividers or color bands; the transition between works is a hard cut from one rendered object to the next against the same black field. Footer is a thin row of instructional text flush-left at the bottom edge. The entire page reads as a darkened gallery corridor where the visitor walks past lit objects.
Photorealistic 3D renders are the only imagery on the site: a porcelain gorilla-bottle hybrid, a matte orange with a striped paper straw, and a glossy green pepper. Each render is full-bleed, centered on the black canvas, and lit like a product photograph under a single key light. No lifestyle context, no background plate, no overlay text — the object is cropped at its silhouette and floats in the void. Imagery occupies roughly 80% of the visible viewport per scene, with UI text pushed to the corners. There are no icons, illustrations, or decorative graphics beyond the single Instagram glyph in the nav.
Quick Color Reference - text: #ffffff - background: #000000 - border: none (no border system; use #ffffff only for 1px hairlines if absolutely needed) - accent: none - primary action: no distinct CTA color Example Component Prompts 1. Top navigation: Place the wordmark 'Eduardo del Fraile' flush-left at the top edge, and the links 'Work', 'About', 'Contact', 'ESP' followed by a 14px Instagram line-icon flush-right. All text is Akzidenz-Grotesk 15px weight 400, color #ffffff, with 20px gap between links. No background, no border, no underline. 2. Full-bleed showcase: Render a 3D object (e.g. a matte ceramic bottle) centered on a pure #000000 canvas. The object occupies ~70% of the viewport height, lit with a single overhead key light. No frame, no card, no border, no shadow around the object. The canvas is edge-to-edge with no margin. 3. Footer: Bottom-left, two short instructions in Akzidenz-Grotesk 14px weight 400 #ffffff, separated by 20px gap: 'Scroll with the mouse' and 'Scroll with L and R keyboard arrows'. No icons, no buttons, no background. 4. De-emphasized helper text: A label like 'ESP' or a secondary annotation in #888888 Akzidenz-Grotesk 14px weight 400 — only when the text is not interactive and must recede behind the primary white type. 5. Active section title: Use Akzidenz-Grotesk 20px weight 700 #ffffff for a section heading. This is the only typographic emphasis allowed — do not change color, add a background, or add a divider line.
Same black-void portfolio treatment with 3D renders floating without frames on a pure #000000 canvas, text-only navigation in the corners.
Minimalist dark portfolio using a single grotesk face, no accent color, and no UI chrome beyond corner-aligned text links.
Full-bleed dark creative studio site that lets immersive 3D content dominate while the interface recedes to plain white type.
Single-color-canvas artist sites with zero decorative UI — the work is the entire visual system and the chrome is nearly invisible.
Editorial-feel dark portfolio relying on weight contrast in a single sans-serif and a strictly monochrome palette to let imagery lead.
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