Obsidian
#000000Page canvas, primary surface, image card backgrounds, footer/header fields
Minimal Collective operates as a pitch-black editorial canvas where every element earns its presence through restraint rather than decoration. A single geometric sans-serif at weight 400 — never heavier — carries all hierarchy; even 77px display headlines whisper instead of shout, with letter-spacing compressed to -0.056em that pulls letters into sculptural, almost overlapping forms. The interface is colorlessly austere: true black #000000 as the void, hairline white borders as the only structural language, and bordered category pills (EDITORIAL, PREMIERE, CULTURE) that function as ghost labels rather than UI affordances. Content arrives as an overlapping photographic mosaic — event documentation, art installations, studio interiors — layered against the black field without shadows, gradients, or card elevation to separate them from the canvas. The aesthetic is closer to a contemporary art publication at midnight than a typical product UI.
#000000Page canvas, primary surface, image card backgrounds, footer/header fields
#5a5a5aSecondary structural elements, input borders, mid-tone dividers, muted UI chrome
#ffffffPrimary text, heading fills, hairline borders, badge outlines, link strokes
77px · 400 · 0.9 · -4.31px trackingThe quick brown fox jumps
50px · 400 · 1 · -2.2px trackingThe quick brown fox jumps
32px · 400 · 1 · -1.18px trackingThe quick brown fox jumps
27px · 400 · 1.2 · -0.86px trackingThe quick brown fox jumps
23px · 400 · 1.2 · -0.67px trackingThe quick brown fox jumps
18px · 400 · 1.2 · -0.36px trackingThe quick brown fox jumps
16px · 400 · 1.43 · 0px trackingThe quick brown fox jumps
14px · 400 · 1.43 · 0px trackingThe quick brown fox jumps
Font samples use locally available fonts and fallbacks.
Sole typeface. Weight stays at 400 across every size from caption to display — hierarchy is created purely by scale and negative tracking, never by weight contrast. Display sizes (50–77px) use line-height 0.90–1.00 and letter-spacing compressed to -0.044em/-0.056em, pulling characters into tight sculptural forms. Body sits at 14–16px with 1.43 line-height for legibility. The single-weight discipline is the signature: no bold, no italic, no fallback hierarchy — scale is everything.
0px4.5px0px4.5px1px2px5px6px7px9px14px18px45px54px144px173px216pxFull-width black bar, 14px vertical padding. Logo
Full-viewport black canvas with a single photographic image (e.g. vehicle) positioned behind large display text. Headline at 77px PolySans 400, Ghost White, line-height 0.9, letter-spacing -4.31px. Text overlaps the image rather than stacking above or beside it. Faint concentric arc linework (Ash #5a5a5a, 1px stroke) radiates across the background as the only decoration.
Centered
Bordered-only pill: 1px Ghost White border, 4.5px radius, transparent background, 5px vertical / 6px horizontal padding. Label text 14px PolySans 400 Ghost White uppercase (e.g.
Full-bleed photograph with 0px radius, no border, no shadow. Overlaps neighboring cards by 10–30px to create a layered editorial spread. Optional title overlay in top-left at 23–32px PolySans 400 Ghost White, and a category badge (e.g.
Two-part layout: large photograph (0px radius, full-width of its column) stacked with metadata row (category badges + date at 14px) and title at 27–32px PolySans 400, letter-spacing -0.86 to -1.18px. Excerpt in 16px PolySans 400. No card container, no border, no background — content sits directly on the Obsidian canvas.
Two text links anchored to bottom-left (
1px Ghost White line, full container width, 0px radius. Used sparingly to separate editorial sections; the primary section separator is whitespace (144–173px gaps).
#000000Full-bleed page canvas extending edge to edge
#5a5a5aSubtle surface variation for secondary controls and muted elements
Elevation is entirely absent by design. Spatial relationships emerge from photographic overlap, positional offset, and generous whitespace (144–173px section gaps) — never from shadow, glow, or surface tint. The Obsidian canvas is treated as a single infinite plane; cards, images, and text all sit on it directly. This preserves the gallery-wall metaphor: works are pinned to a black plane, not stacked in a z-axis.
Full-bleed dark canvas with no max-width container; content breaks to the viewport edges. The hero occupies the full first viewport with a centered display headline overlapping a single photographic subject and faint concentric arc linework as background texture. Below the hero, a mosaic of overlapping image cards (10–30px overlap) creates an editorial collage — cards are not constrained to a grid but arranged in an asymmetric, layered composition. The lower section transitions to a structured 2-column editorial spread: large photograph paired with category badges, date, display-weight title (27–32px), and excerpt body. Navigation is radically minimal — a top bar with only logo + hamburger, plus
Photography is the dominant visual content — event documentation, art installations, architectural interiors, music studio environments, and street/venue photography. All imagery is full-color, presented unfiltered and uncropped at 0px radius against the black canvas. The treatment is editorial-magazine: overlapping card mosaics rather than uniform grids, with images sometimes extending edge-to-edge and other times sharing space with overlaid display text. No illustrations, no abstract graphics, no 3D renders, no icon systems beyond the single hamburger glyph. The photographs carry all visual weight; the typographic and structural system is deliberately quiet so imagery can speak at full volume.
primary action: no distinct CTA color
Use the design exports or connect Musterlab to your AI.