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Art In DUMBO

artindumbo.com
Website preview
The character

gallery broadside on raw paper

lightagencyHelvetica Neue
Colors
9
Typefaces
2
Components
12
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Copy a design guide, CSS variables or tokens into your next project.

The design language

Art In DUMBO reads like a broadside poster pinned to a white-cube gallery wall: one weight of Helvetica at every size, black ink on raw paper, and a single sage-green accent that punctuates action and status like a curator's sticker. The system is unapologetically editorial — full-bleed documentary photography carries the atmosphere while the type system stays calm, dense, and confident at every breakpoint. Surfaces are almost entirely white or warm off-white; structure comes from hairline black rules, never from shadows or colored panels. Components are few and stocky: pill buttons with 50px radii sit next to sharp 2px-radius inputs, creating deliberate radius contrast. Color is rationed — sage green for the only real CTA, warm orange for urgency tags, and otherwise a pure black-to-warm-gray ramp.

Inside this designColorsTypographySpacing & shapeGuidelinesComponentsSurfacesCompositionNotes

Color palette

brand

Sage

#71cc98

Green action color for filled buttons, selected navigation states, and focused conversion moments

accent

Ember

#ff7f41

Orange outline accent for tags, dividers, and focused UI edges. Use as a supporting accent, not as a status color

neutral

Carbon

#000000

Primary text, logo cells, hairline dividers between list rows, icon strokes — the only ink in the system

Paper

#ffffff

Page canvas, card surfaces, pill-button fills, inverse text on dark cells

Plaster

#f1f2f2

Input fields, secondary surfaces, subtle button hovers

Linen

#e5e3df

Warm off-white section backgrounds, large quiet surfaces that break the white without going gray

Ash

#bdbdbd

Medium-contrast borders, control outlines, and structural separators

Graphite

#828282

Button borders and label text for secondary controls

Smoke

#b3b3b3

Shadow base tone for the single ambient drop-shadow pattern

Typography

Type scale

Minor Third (1.2) · 14px base
text-6868px · 500 · 1

The quick brown fox jumps

display63px · 500 · 1.05

The quick brown fox jumps

heading-lg44px · 500 · 1.1

The quick brown fox jumps

text-3737px · 500 · 1.09

The quick brown fox jumps

heading34px · 500 · 1.15

The quick brown fox jumps

text-3030px · 500 · 1.1

The quick brown fox jumps

text-2828px · 500 · 1.2

The quick brown fox jumps

heading-sm27px · 500 · 1.2

The quick brown fox jumps

Font samples use locally available fonts and fallbacks.

Aa
Primary typeface

Helvetica Neue

Weights
500
Sizes
10px, 11px, 16px, 19px, 22px, 27px, 28px, 30px, 34px, 37px, 44px, 63px, 68px
Line height
1.00–1.80
Fallback
Inter, Neue Haas Grotesk, Helvetica, Arial

Sole typeface across the entire system — display, body, nav, labels. Weight 500 is the only weight used; this medium-only commitment is the signature: not bold, not regular, never thin. Sizes run from 10px captions to 68px display with tight 1.05–1.15 line-heights at the top of the scale and 1.40–1.80 at body sizes.

Aa
Additional typeface

Roboto

Weights
400, 500
Sizes
10px, 11px
Line height
1.20–1.40
Fallback
Roboto, system-ui

Secondary system fallback for micro-labels and small UI chrome where a different metric helps

Spacing & shape

Spacing

Density
comfortable
Base unit
4px
Max width
1200px
Section gap
80-120px
Card padding
16-24px
Element gap
12-20px

Border radius

cards0-4px
inputs2px
logo-cells0px
buttons-pill50px
buttons-secondary2px

Spacing scale

1px
2px
5px
6px
7px
9px
10px
12px
13px
14px
16px
17px
19px
20px
22px
24px
26px
27px
29px
30px
44px
46px
47px
49px
122px
144px

Guidelines

Do

  • Use #000000 for all structural lines, icons, and primary text — it is the only ink the system has
  • Reserve #71cc98 Sage exclusively for the Map & Directory pill, heading underline marks, and accent dots
  • Set border-radius to 50px on pill buttons and 2px on inputs — never blur the two
  • Set type to Helvetica Neue 500 at the scale sizes; do not introduce additional weights
  • Separate exhibition list rows with 1px solid #000000 hairlines, never with card backgrounds or zebra striping
  • Let hero photography run full-bleed with no overlay text other than the wordmark
  • Use #ff7f41 Ember only for urgency status text such as 'Closing Soon' — never as a fill

Don’t

  • Do not add colored panels, gradient fills, or decorative cards behind text
  • Do not introduce new typefaces or weight values beyond Helvetica 500 and the Roboto micro-label fallback
  • Do not use shadows to separate sections — use 1px black hairlines or a shift to #e5e3df Linen
  • Do not round the hero photograph or exhibition thumbnails beyond 4px
  • Do not stack more than two type sizes in a single row of the exhibitions list
  • Do not place sage green text on the sage pill background — it must remain #000000
  • Do not center body paragraphs or exhibition row content; left-align everything

Components

01

Logo Wordmark Block

Brand mark in the top-left of every screen

Stacked three-cell grid: 'ART', 'IN', 'DUMBO' on three lines. Each letter sits in its own black-bordered cell on a white ground. Borders are 1px black, no fill, no radius. Cells are flush — no gap between them — so the mark reads as a single printed stamp.

02

Sticky Header Bar

Persistent navigation across all pages

White background, no border. Left: logo wordmark. Right: three text links (Events, Exhibitions, First Thursdays) in 16–19px Helvetica 500, #000000, flush right. No icons, no background pills — nav is just type.

03

Full-Bleed Hero Photograph

Above-the-fold visual anchor on the landing page

Documentary-style photograph of artists at work, edge-to-edge with no container or radius. The logo overlays top-left in a solid white-backed block. No text overlay other than the wordmark.

04

Display Heading

Section openers and welcome statements

63–68px Helvetica 500, #000000, line-height ~1.05, tracking normal. Sentence case, no max-width clamp — runs nearly full bleed for editorial weight. Sage-green horizontal rule (3–4px) sometimes underlines the heading or its first word.

05

Body Paragraph

Welcome copy, event descriptions, editorial text

22–27px Helvetica 500, #000000, line-height 1.20–1.27, no max-width cap. Generous, readable, never condensed.

06

Email Input Field

Newsletter capture on the welcome block

2px border-radius, #f1f2f2 fill, no visible border. Placeholder text in 16px Helvetica 500, #000000 at ~40% opacity. Inline adjacent to a ghost Subscribe button.

07

Ghost Text Button (Subscribe)

Secondary action paired with form fields

No background, no border, no radius. Label in 16px Helvetica 500, #000000, followed by a small right-pointing arrow glyph. Sits flush right of its input.

08

Sage Pill Button (Map & Directory)

Primary floating CTA, sticky bottom-right

50px border-radius (full pill), #71cc98 fill, #000000 text, 16–19px Helvetica 500, horizontal padding ~20px. A small filled sage dot (8px) sits inside the left padding as a status indicator. Subtle shadow: rgba(0,0,0,0.25) 0 0 10px. This is the only chromatic fill button in the system.

09

Exhibition List Row

Primary content unit on the Exhibitions page

Horizontal row: square thumbnail (~80px, 4px radius), then a four-column meta block (Date range / Title / Gallery name / Open hours). Rows separated by 1px solid #000000 hairlines — no zebra striping, no card backgrounds. Meta text in 16–22px Helvetica 500; gallery hours in #bdbdbd.

10

Urgency Tag (Closing Soon)

Status indicator for time-sensitive items

Inline text label, no background, no border. 16px Helvetica 500 in #ff7f41. Sits directly under the date range in an exhibition row.

11

Status Meta (Open hours)

Secondary metadata in list rows

16–19px Helvetica 500, #bdbdbd. Always one line, never wrapped. Communicates operational state without competing with primary text.

12

Sticky Floating Action

Persistent wayfinding CTA

Same component language as the Sage Pill Button, but position:fixed bottom-right. Reappears on scroll with the same shadow and radius. Functions as a quiet, always-on directory shortcut.

Surfaces & elevation

Level 0

Paper

#ffffff

Default page canvas, card surfaces, header background

Level 1

Linen

#e5e3df

Warm off-white section bands that break white without going gray

Level 2

Plaster

#f1f2f2

Input wells and hover surfaces for interactive elements

Elevation is rationed. The system is fundamentally flat — rows and sections separate themselves with 1px black hairlines, not shadows. Shadows appear only on interactive surfaces (buttons, floating CTAs) and are kept soft and short. The sage pill uses a wider ambient shadow to lift it from the page; everything else stays flush.

Sage Pill Button

rgba(0, 0, 0, 0.25) 0px 0px 10px 0px

Secondary buttons & small chrome

rgba(0, 0, 0, 0.3) 0px 1px 4px -1px

Layout & imagery

Layout

Editorial broadsheet rhythm. Landing page opens with a full-bleed hero photograph, then a tight vertical stack of display heading → body paragraph → email capture, all left-aligned and nearly full-width. The Exhibitions page swaps photography for a text-and-thumbnail table: each row is a four-column horizontal band separated by 1px black hairlines, reading like a printed program. No card grids, no asymmetric compositions, no overlap. Navigation is a single sticky text-only bar. The sage Map & Directory pill is the only fixed-position element, anchored bottom-right.

Imagery

Full-bleed documentary photography is the primary visual content: candid shots of artists in their studios, natural light, no lifestyle staging, no color treatment. Images run edge-to-edge with no rounded corners and no overlay text. Thumbnail crops in the exhibitions list are square, tight, and unadorned. There are no illustrations, no icons beyond a small status dot, and no 3D or abstract graphics — the photography carries all atmosphere.

Design notes

Agent Guide

Quick Color Reference: - text: #000000 - background: #ffffff - surface-warm: #e5e3df - surface-input: #f1f2f2 - border: #000000 - accent: #71cc98 (Sage) - primary action: #71cc98 (filled action) 3 Example Component Prompts: 1. Sage Pill Button: 50px border-radius, #71cc98 fill, 19px Helvetica 500 #000000 label, 20px horizontal padding, 10px vertical padding, a 8px filled sage dot inside the left padding, shadow rgba(0,0,0,0.25) 0 0 10px. 2. Exhibition List Row: four columns — 80px square thumbnail (4px radius), date range in 16px Helvetica 500 #000000, title in 22px Helvetica 500 #000000, gallery name in 19px Helvetica 500 #000000 with 'Open: HH:MM–HH:MM' in 16px #bdbdbd below. Rows separated by 1px solid #000000 hairline, no row background. 3. Display Heading Block: 63px Helvetica 500 #000000, line-height 1.05, with a 3px #71cc98 horizontal rule directly under the heading spanning the full text width. Followed by a 22px Helvetica 500 #000000 body paragraph at line-height 1.27, no max-width clamp.

Radius Philosophy

The system uses only two radii and the contrast between them is intentional: 2px for inputs and inline controls (sharp, utilitarian, almost machine-stamped) and 50px for the only interactive pills (soft, inviting, thumb-shaped). Cards and list rows use 0–4px — they read as printed paper, not interface. Never blend the two radii on the same component.

Type Discipline

Weight 500 across all sizes is a brand rule, not a default. Do not introduce 400 or 700 weights — the medium-only commitment is what makes the type feel like a single tool used at different pressures. The same Helvetica 500 at 10px in a status tag and at 63px in a display heading should feel like the same voice speaking at different volumes.

Similar brands

Printed Matter

Same broadside-poster rhythm: one weight of sans-serif, full-bleed art photography, black hairline rules, and a single accent color rationed across the page

Pioneer Works

Same editorial-verticality and near-flat surface treatment, with documentary photography carrying atmosphere instead of decorative UI

Swiss Institute

Same Helvetica-medium-only type discipline, white-canvas gallery feel, and pill-shaped CTAs

White Columns

Same nearly all-achromatic palette, text-as-architecture layout, and program-list table format for exhibitions

Are.na

Same utilitarian restraint, hairline-separated content rows, and refusal to use color decoratively

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